2014年10月29日星期三

Tattoo training on methods to fight fog

Fight the fog is the color we are talking, playing fog which way?

Fight the fog can say there is no specific way, it was torn from the inside out, and heavier at the beginning of places to do heavy fog, mist ending lesser place when we temporarily called “Northwest Rain” pattern method (because of its the disadvantage is playing out of the fog will form such as radiation fog-like lines), it was also in a spiral manner from the inside out, at the beginning so that the force is heavy, as heavy fog, another way is the same as the left and right nozzle printer constantly back and forth and gradually develop outward, at the beginning of the place contribute heavier, gradually put light forces may be formed as a gradient like fog.
No matter what kind of fight the fog schemes have their advantages and disadvantages, in general, if there is a certain degree of exercise, 2, 3 ways to break out of the fog relatively small, relatively dense, but if there is no considerable practice, it break out of the fog will be very easy to become regardless of severity and a dark, or jumpers situation.
Most beginners are more like to use the first one kind of way to help people fight the fog, because this method is the most easy to learn, in addition to patience slowly knit a stitch, but generally do not need any skills. If you can spare no practice, you can put “Northwest Rain” (like radiation fog) in the case of a minimum, this approach also has many professional tattooists in using it. Small map can be used to pattern several dozen fog method described above, we come to a diagram in terms of presentation, where the fight what fog. The following we have to a simple geometry to make commentary. In the fight fog, the fog geometric patterns tattooed severity of the points, as long as it played black uniform, and that is a good map, the problem is that the general lack of experience in the tattoo tube, fearing the fog played a geometric pattern outside the lines, and thus will form the following results.
A: There are gaps between the mist and fog
B: Unable to stick together and lines
C: The fog hit the outside lines
To lay the geometric patterns of fog, without giving white space between lines and fog, mist, or do not care to play outside the line method is that when a needle stick, do not immediately contact the skin pigment, because just dip a color material needle, under the strong electromagnetic coil shock, just stick the needle pigment will be shaken and sprayed at this time if the needle directly into contact with the skin color, the pigment erupted just put you in contact the lines covered. In the case of can not see the lines, it’s easy to put the fog To qualify or can not close the line outside to the inside play, and the formation of the phenomenon blank, then the correct way is to take a small towel or paper towels, needle contact before the skin to absorb some splashes of pigment, so you can make the needle close to the fog line played out slowly, but then another problem appeared again, when you start playing slowly while the needle stick in the pigment also with shock and slowly flowing and muddy opening in the skin, the needle when you have not run to the opposite line, muddy open lines of pigment have covered, then we shall tattoos lift machine, and then hit the lines coming from the opposite connected with just fog, just keep repeating these two procedures will be able to track patterns of a standard “geometric patterns” of.
In addition to a rose diagram to explain, beginners often think, “needle-like leaves” that must be part of the mosaic of dense color on it, it is not true, we know there are shades of petal color, light and shade of the points, blades veins are not the same. So when we were on a colored pattern, it is necessary to distinguish where the need to be on the heavy fog where the mist, and then to work, for example: when we part of petal color, flower flower part of the six should be heavy fog toward petal edge gradient, pattern so that it has a level of treatment, three-dimensional.
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